Glitches were added to help the story feel more real, while additional footage was inter-spliced here and there to deliberately throw us off. Hundreds of takes were captured, to ensure the actor and camera were always in concert with each other. The sonic identities of the different cameras were very important. Wes Robinson, who plays Lane, even shot most of his footage for real on the older Sony video-camera featured in the movie. They stood behind the camera operators for that found footage effect during filming, and wore massive rigs on their heads whenever they were in the shot. The lesser-known cast of actors were given only “safe scripts” to read and weren’t even told what they were auditioning for at first. Blair Witch is an incredibly tactile movie, with Wingard adamant everything was done in camera, practically. Working as both sound designer and composer, Wingard created soundscapes to layer in as the subtle, barely-there score, playing with a lot of real noises to give that genuine, trapped-in-the-forest feel. As Wingard notes, “What really makes it scary is you don’t know what’s out there.” Everything is based on the core lore and mythology established in The Blair Witch Project, with the two making it clear that, although they didn’t want to show absolutely nothing again, what we do see definitely is not the witch. They wanted to make a “relentless” and “pure” horror movie, building an impressive, 3-storey set for the house where much of the brilliant final act takes place, similar to the original film, even making holes to match those glimpsed in its predecessor. It’s worth noting, too, that Wingard and Barrett were the first choices of the original filmmakers to handle such delicate material.
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The documentary accompanying the BD release of the movie showcases, to an almost painful extent, just how much work these two put into their Blair Witch. Wingard has since fought even harder battles with his re-imagining of the beloved Death Note (which wasn’t terrible by any stretch of the imagination) but it’s clear this one was intensely personal to him and Barrett.
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On top of that, the shaky camera that shuts off when it gets destroyed by a mysterious force, became a horror genre standard.CLICK HERE For 100s of FREE Trashy Horror Movies! The existing ending is iconic: terrifying not because it has any gruesome special effects or gore (it’s just a guy, facing a wall), but because of the sinking dread of realizing that it calls back to a terrifying story told earlier in the film. It also gives me a new respect for the savvy choice the filmmakers made when they picked out that final shot. Honestly, thank goodness none of these made it to screen! Obviously they couldn’t have been as wild as the sketch made it seem - given the budget constraints - but as a huge fan of this movie it makes me sweaty and anxious to think of swapping any of these for what ended up in the theatrical cut. There are also three other alternate endings available on YouTube, including one with the noose, one of Mike looking directly into the camera, and one that looks pretty much the same as the original, minus some drama in the final camera crunch. No offense, but I’ve never been less freaked out by a crucifixion. However, as dug up by /Film, a short video of this ending has been available on YouTube for years. The lurid image makes it seem as though the ending of the film might once have been more dramatic and gory. In the interview, they demonstrated the latter with a sketch of crucified bodies on fire on top of wood structures resembling the film’s instantly recognizable doll figurines. (It ended up making $249 million at the box office, but nobody could have predicted that.) These had to be done cheaply, as The Blair Witch Project had a budget of $60,000. Williams) hanging from a noose or crucified with a bloody chest. “We went back to that house with a skeleton crew and basically just shot all the endings that Ed and I threw out when we were dreaming up the script,” Dan Myrick told EW, then listed other endings, such as Mike (played by Michael C. In an interview with Entertainment Weekly on Wednesday, the co-directors of the 1999 classic found footage horror film The Blair Witch Project revealed that they filmed several alternate endings.
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